A type designer at heart, I work at the intersection of precision and perception.

My inspirations come from diverse sources, but as a kid growing up during China’s rapid urbanization in the 1990s, I found myself most fascinated by a blend of old and new store signage, TV graphics, and packaging. I started practicing traditional Chinese calligraphy at age 7. A mix of soft brush and fountain pen calligraphy, as well as seal carving, gave me a steady hand for creative lettering, which eventually led me to a career in graphic design after a short tenure at a public school kindergarten.

Coming from my cross-cultural background, I’m constantly reflecting on the dialogue of old versus new, vernacular versus standard, East versus West, and ultimately communism versus capitalism. Through design, I look to share my insights and contribute to culture—in other words, to have a dialogue with culture.

This site is set in Times Mono by me, and Repro by Dinamo.

Experience

MOTHER DESIGN NYC
Senior Designer 2023–2025
Designer 2022–2023

WAYTURA SH
Design Lead 2022–2023
Brand Design Lead 2021–2022
Brand Designer 2020–2021

INTERESTING DEVELOPMENT NYC
Junior Designer 2019–2020
Design Intern 2018–2019

MOTHER DESIGN NYC
Design Intern Summer 2018

Education

The Cooper Union
Type@Cooper Extended 2025

School of Visual Arts
BFA Design 2019

Awards

C2A Awards Best of Best, 2023

Graphis Design Awards Silver, 2024

Golden Pin Design Award 2022

Good Design Award 2022

Founder Award Finalist, 2022

Junior Design Award Gold, 2022
ADC Cube Bronze, 2022

iF Design Award 2022

Green Product Award Best of 2022

iF Design Award x3, 2021

⌖

⌖

⌖

⌖